Teaching The Nine Tailors to 16 first-year students and they are into it. I am rather shocked by their enthusiasm. We’re three-fourths of the way through β€” I wonder how they will feel about the ending. πŸ“š

I like to visit the corner of our department where we keep office supplies, which I adore. Pencils, pens, highlighters; sticky notes in all sizes and colors; manila folders; printing paper in seven β€” seven β€” colors; four sizes of binder clips. I stand there mesmerized and imagine uses for them all.

A powerful and much-needed word from Sara Hendren, AKA @ablerism:

I think the clamor among young people to gather diagnostic names for imperfection β€” every imperfection, from the clinically serious and undertreated to the elaborate neologisms for capturing ordinary variability and performed eccentricity β€” begs for more sustained philosophical inquiry. If bodily or cognitive imperfection is not merely a mechanical glitch, what is it? How do we countenance it, make meaning alongside it, make our uneasy peace with its inevitable arrival? Young people need our patient accompaniment to ask these questions. They’ve already been abandoned once to the algorithms. I won’t abandon them again with scorn.

You’ll never hear a better version of “Amazing Grace” than this. Indirectly via Ted Gioia. β™«

My friend and colleague David Corey told me that this is how he explains to his students how musical fugues work. What a cool animation.