At the end of Tarkovskyβs Solaris we see Kris returning to his fatherβs house β the place where we had first seen him in the opening seconds of the movie. Shortly after that opening we had heard Krisβs father tell a friend that he had built that house in imitation of another house he liked; and now, at the end, the camera pulls back from Kris and his father to show that the concluding events of the story are not taking place in a Russian dacha but rather on a tiny island in the great ocean of the planet Solaris. We might also reflect that the house being filmed is a set in a movie. So what weβre seeing as the film concludes is a simulacrum of a simulacrum of an imitation of a fictional house. πΏ
By dominating the digital world, Silicon Valley has already exerted indirect control over the physical one. Todayβs data-center build-out is a whole new beast. From the most concrete aspects β cooling, power, land β to the most abstract financial instruments, AI has morphed into a heavy industry.Β
And needs to be regulated as such.Β
The second entry in my series of essays on the ongoing interest in the Second World War is now up.
Kaiju IPO:
Initiating Psychic
Obliteration.
When you need a good album to cook to, I highly recommend Dusty in Memphis.
Five minutes from snooze.
Commentβs Seedbeds of Christian Humanism gallery is a wonderful resource.
Watched: Room 999. This revisiting of Wim Wendersβs 1982 documentary Room 666 is often interesting and sometimes fascinating. (It must be said that not all filmmakers are especially articulate about what they do β this is evident in the original film as well.) Perhaps the comment that strikes me most forcibly is when Audrey Diwan wonders what will happen to her childrenβs sense of narrative when all the stories they experience are less than a minute long. And this is something to be concerned about. Many of the most important things in our lives develop over years; will people be capable of reckoning wisely with their experience if the only stories they know reach a resolution in 60 seconds? πΏ
I wrote a lengthy, passionate evisceration of everything about that disgraceful exhibition β by which I mean both the anti-football and the anti-entertainment surrounding it β and then deleted it. There are things one has to write that one does not have to post. β½οΈ
In fact, I’m reconsidering my footy fandom. Eight-five minutes in and anyone showing up now will have missed absolutely nothing. β½οΈ π¦π· πͺπΈ
Update: Extra time and I am extra done. I don’t care any more. Time to watch a guitar repair video or some such.