In Latin, H was “ha,” and K as “ka” came after it. People reciting the alphabet would say “ha, ka, el ….” But Latin didn’t really need the K, because C did its job. (Caesar was pronounced “KIGH-sar.”) So people started thinking of “ha, ka” as referring just to H and saying “haka.” Heavy usage transforms pronunciation. “Haka” dropped the “H” at the start like Eliza Doolittle was taught out of in her “Hertford, Hereford and Hampshire” exercise — “aka.” Then the K changed to a “ch” — “ahcha” — and the A at the end dropped off — “ahch.” Then the “ah” changed to “ay” and hence “aitch”! We should really be calling H something like “hay.” But hey, we don’t — and the world keeps spinning.
"So, Professor Jacobs, what do you work on during your summer break?”
“Well, mainly I watch Jackie Chan movies.” 🍿
A new entry in my ongoing series of posts on religion, the Bible, and the movies: this one on how that earnest purveyor of Biblical epics, Cecil B. DeMille, put more skin on the screen than any other Hollywood director and forced the creation of the Hays Code.
A random snapshot taken in Central Park in 2008 — with the original iPhone. Funny how lo-res digital imagery now has a nostalgic aura.
Watching Stray Dog, the chief experience I have is a feeling of immense gratitude for air-conditioning. The film takes place during a brutal Tokyo heatwave (indeed it was filmed in those conditions) and everyone sweats rivers throughout. 🍿
At the end of Tarkovsky’s Solaris we see Kris returning to his father’s house — the place where we had first seen him in the opening seconds of the movie. Shortly after that opening we had heard Kris’s father tell a friend that he had built that house in imitation of another house he liked; and now, at the end, the camera pulls back from Kris and his father to show that the concluding events of the story are not taking place in a Russian dacha but rather on a tiny island in the great ocean of the planet Solaris. We might also reflect that the house being filmed is a set in a movie. So what we’re seeing as the film concludes is a simulacrum of a simulacrum of an imitation of a fictional house. 🍿
By dominating the digital world, Silicon Valley has already exerted indirect control over the physical one. Today’s data-center build-out is a whole new beast. From the most concrete aspects — cooling, power, land — to the most abstract financial instruments, AI has morphed into a heavy industry.
And needs to be regulated as such.
The second entry in my series of essays on the ongoing interest in the Second World War is now up.
Kaiju IPO:
Initiating Psychic
Obliteration.
When you need a good album to cook to, I highly recommend Dusty in Memphis.