A great saint, John M. Perkins, has passed. May he rest in peace and rise in glory.

Robin Sloan:

A coarse world does not require us to become coarse; we can insist on our values even if they appear not to be widely shared. What’s so funny about peace, love, and under standing? (What’s so funny about truth, justice, and the Amer ican way?) I am not (and I will wager: you are not) a head of state or a polit ical operative; we are not required to be cyn ical or “realistic”. We can remain, with discipline, realists of a larger reality — the knowledge that the people who do this kind of stuff are already in hell.

Re: Le Guin’s “larger reality,” see also Flannery O’Connor: “The prophet is the realist of distances.” 

The next few days are gonna be … interesting

Novelists who help us think theologically about this country’s racial history:

  • for 1850–1900: William Faulkner
  • for 1900–1950: Ralph Ellison
  • for 1950–2025: Albert Murray

These are people to read after you’ve read the ones I name in my previous post, to see what got left out. 

All of America’s most theologically rich and provocative thinkers are novelists — and this is true even when they don’t know they’re being theological.

Silicon Valley spirituality:

[Richard Zhang] said the members of his group had many questions about how to deploy Al in their lives, such as: “Can I have an Al pastor? Should we have Al-generated worship music? Should I get an Al to read the Bible or pray with me, to judge my spirituality?”  

I’m gonna say

(a) Are you out of your mind?

(b) Lord have mercy, no

(c) Absolutely not

(d) Oh HELL no 

My suggestion to pastors who are tempted by this stuff: Read Brad East’s book on the screen-free church when it comes out, and read Matt Erickson’s book on The Pastor as Gardener now. 

Paul Kingsnorth:

The thing is, once you begin to examine those delusions, you see that one of the most pernicious is the construction of a self-identity. This is necessary to survive in the world, probably, but soon enough it becomes a yoke around the neck. This construction labelled ‘Paul Kingsnorth’, for example, now has a public reputation as a writer with certain opinions and a particular history. His future work, and indeed his income, is in some way reliant on keeping this fiction going. It is not a ‘fiction’ in the sense of it being a deliberate falsehood, but it is a construction, which means it is a story, which means that the actual me has ended up stuck inside it, as we all do with our stories in the end.

Things are particularly bad for this ‘Paul Kingsnorth’ character, because he makes his living writing articles like this one. Not only does he need to do this to eat, but more existentially, he has written for so long that he now sees the world almost entirely through the lens of the written word. Even if he wasn’t getting paid to write things down, he would be writing them down anyway, which would just continue to encrust the artificial world around the artificial self, and make it harder to escape from both. 

This is too true to be good. 

Romare Bearden, The Visitation (1941) 

Romare Bearden Baptism.

Romare Bearden, Baptism (1964)

Here’s Micah Mattix, the editor of Portico, on this new endeavor.

Heads up: a new literary quarterly called Portico, featuring in this first issue work by Christian Wiman, Dana Gioia, Mark Helprin, and … moi.

I wrote a post for my Buy Me a Coffee supporters about Cosmos Murray and Cosmos Jacobs.

Vinnie Sperrazza:

Wanting to find out if money does in fact make everything better, I bought a brand-new, confidently-made, 2026 portable CD player, equipped with all the fixings to make playing a CD as smooth as streaming.

So far so good: yesterday, going to Barbes in Park Slope, SMOKE on the Upper West Side, and back home to Bay Ridge, I listened to Daniel Barenboim and Gervase DePeyer play Brahms’ Clarinet Concerto No. 1 enough times to develop a favorite movement (2nd) and to feel that Barenboim is sometimes just too rubato for me. I just wouldn’t have done this with streaming, where endless novelty is the point. Scarcity and necessity are back.

Christopher Beha, from Why I Am Not an Atheist: The Confessions of a Skeptical Believer :

I could tell that my foundation was sound. I just wanted to know what was underfoot. So I told myself, Suppose you start with love. That was the one clear and certain thing in my life. What would it mean to start there? To begin with the certain reality of that love and build whatever could be built on top of it? If I took this for true, what else would have to be true with it?

To believe in love — not as a physical sensation, a neurochemical process in the brain, an adaptive strategy blindly hit upon by the genes in control of us survival machines, but as a foundational reality — means abandoning strict materialism, for the kind of love I’m talking about simply can’t be reduced to physical processes. It also means abandoning the idealism that says that the world we experience is entirely or even largely our own creation, that we project upon the raw facts whatever meaning and value and order we find there. From this perspective, love is a “mood,” part of the subjective apparatus with which we take in the objects of experience. But to really feel love is to be certain that it is not simply a projection, just as to stand in the warmth and the light of the sun is to be certain that the sun exists outside ourselves.

This reminds me of Auden:

One bubble-brained creature said—
“I am loved, therefore I am” — :
And well by now might the lion
Be lying down with the kid,
Had he stuck to that logic.

Watched: 49th Parallel. An excellent piece of propaganda, though I can’t decide whether it is enlivened or diminished by the French-Canadian trapper’s accent of … Laurence Olivier. Sacré bleu! 🍿

Watched: Made in England: The Films of Powell and Pressburger. A wonderful tribute to the Archers (especially Michael Powell) by Scorsese, which makes me wish I could enjoy their movies as much as he does. 🍿

Adam Roberts with a brilliant tale within a tale within a tale within a tale… I’d love to see more stories from Adam on his Substack.

Finished reading: Why I Am Not an Atheist: The Confessions of a Skeptical Believer by Christopher Beha. A very good book. More thoughts coming soon in The Dispatch. 📚