Fidelia Bridges, Rooftops, Brooklyn, ca. 1867

Everett L. Warner, New York from a Seaplane, ca. 1919

Brad Bigelow:

The canon of well-known classics, the books one can find in just about every library and bookstore, the books most commonly studied and written about, is like the freeway system of literature. These works have, until recently, been our most accessible and most heavily traveled routes through our literary landscape. With the creation of the Internet Archive and the steady incorporation of material into its collection, a huge amount of our literary landscape โ€” by now a large share of the published material from the seventeenth century on โ€” is just a few clicks away from over half the people in the world. I look forward to seeing many amazing forgotten books and writers get rediscovered and celebrated anew as more readers come to realize that so much of the literature that has historically been remote and inaccessible can now be found just steps from their front doors.

I linked to this before, I think, but I continue to listen obsessively to Alec Goldfarb’s new record Fire Lapping at the Creek โ€” which is, let the listener beware, microtonal blues. Which is crazy, except that blues blues has microtonal elements. What a record. โ™ซ

Robin Sloan:

My writing project continues, of course. What is that project? The production of books that mix the genres and styles Iย love most, while adding something newโ€Šโ€”โ€Špushing those genres and styles forwardโ€Šโ€”โ€Šin a way that attracts a large, enthusiastic readership around the world. These books always encourage their readers to contemplate scale, in one way or another. These books make scale undeniable. Thatโ€™s it! Thatโ€™s theย project.

Me: slightly accelerated heartbeat. You know how I feel about scale.

Michael Chabon:

I find the continuing mission of Voyager 1 so moving, for the way its name alone evokes a time of promise, for the thought of that tiny contraption way out there in the vastness at the edge of the heliosphereโ€‰ โ€” โ€‰perhaps the farthest any human-made thing may ever travelโ€‰ โ€”โ€‰ a bit battered, swiftly aging, still doing the work it was purposed to do.

I feel exactly the same way, but also claim a self-description: I too am “a bit battered, swiftly aging, still doing the work [I] was purposed to do.”

Very glad to see that Francesca Ginoโ€™s bullying lawsuit against the Data Colada bloggers has been quashed by a judge.

Dan Cohen:

A copyright regime that precludes libraries lending scans of books they already own and care for โ€” to loan in-copyright works sometimes, for some reasons โ€” ultimately will curtail the circulation of culture and prevent the preservation of it in the first place. Libraries canโ€™t save and distribute what they canโ€™t buy outright, or convert on their own into useful new formats. Right now there is no happy medium in digital media for books, no balance between the many stakeholders involved in the transmission of the written word.

I’m thankful that Dan is fighting the good fight on this issue. But given the forces arrayed against the free exchange of ideas, this will be a hard fight to win.