I wrote about Sean Keilen’s wonderful new book Shakespeare’s Scholars. Now it’s time for me to go back and re-read the plays he writes about.
Guy writes a book that “explains how seemingly objective technologies known as Artificial Intelligence are poised to take hold of the concept of Truth and replace human complexity with potentially catastrophic robotic certainty.” Guy’s book turns out to be full of AI-fabricated quotations. Guy says that if his fabrication “serves as a warning about the risks of A.I.-assisted research and verification, that is why I wrote the book.” Friends: This is not chutzpah, this is megachutzpah, this is summa cum chutzpah. I want to shake that guy’s hand.
This is the world I grew up in. But just a few years later, my elementary-school classroom was integrated. A few years after that, my high school was thoroughly integrated, and though there were still racial tensions, blacks and whites could openly be friends. Then came the white flight from Birmingham: the city’s public schools are now 99% black. Dark forces that seem invincible aren’t; but no victories are permanent either.
Well duh — have you ever seen a more obvious handball?
A CONSTELLATION — a remarkable short film by Miriam Hitchcock.
A Surveillance ‘Cat-and-Mouse’ Game With AI:
In 2023, a team led by Ming Gao, now a researcher at Nanjing University, used human voices to defeat speech-recovery algorithms in a different way. Its jammer, called MicFrozen, is worn by a speaker who doesn’t want to be recorded. It listens as they talk and then generates a real-time stream of ultrasonic “anti-speech” tuned to the speaker’s voice, much like the noise-cancellation technology in your headphones. The device then sends out another layer of counterfeit speech-shaped sound to mislead any algorithm that tries to reconstruct what was lost.
Note that the “answer” to digital technologies we hate is always MOAR DIGITAL TECHNOLOGIES. For previous entries on this point, see this and this.