Alan Jacobs

Yascha Mounk:

Supposedly serious news outlets still have a long way to go in subjecting publicity exercises like the World Happiness Report to appropriate journalistic scrutiny. It is easy to see why editors are tempted to assign some beat reporter without expertise in the social sciences to write up a fun little story about how much happier those enlightened Scandinavians are compared to benighted Americans. But if the media wants to live up to its self-appointed role as a gatekeeper of reliable information, it can’t continue to be complicit in the spread of such shoddy clickbait.

Over the last years, media outlets like the New York Times, universities like Oxford, and international institutions like the UN have devoted themselves to the fight against so-called “misinformation.” It is certainly true that our political discourse is awash with dangerous distortions and outright lies. But any institution which wishes to address that problem must start by looking into the mirror—and cease spreading “elite misinformation” like the World Happiness Report.

Matthew Burdette:

Paying for Apple Music or Adobe Acrobat is relatively harmless, but an economic model that is progressively turning more and more things into subscriptions — and renting is certainly a form of subscription — is creating conditions that are antithetical to human life freed for public life…. What was once the animal laborans is today homo subscribens, man the subscriber. The possibility of a 50-year mortgage would only confirm this reversion back to the life process, ensuring that people today are no freer than laborers bound by endless necessity.

I'm blessed to have many friends who write beautifully, and I especially love it when I hear their voices in the written words. This whole essay by Sara Hendren is like that:

You think Hyde’s telling you to give your gifts, like “giving back,” I say. But it’s weirder than that. Gifts precede you, mark your life. They invite you to imitate the pattern. This truth is hard for all of us to hear. 

And this from Charles Marsh on “making anxiety great again”: “Receive anxiety as an opportunity…. Accept anxiety as an awakening…. Acknowledge anxiety’s capacity to instruct.” 

Much wisdom in these two reflections. 

Martin Filler: 

So thorough was [Frank] Gehry’s reorientation of architecture as an art form rather than an adjunct of engineering that it’s hard to recall how the high end of his profession was perceived before him, when technocrats in big architectural firms seemed indistinguishable from any other business executives. In the mid-1970s, as he approached fifty, Gehry resolved to throw over his profitable relationship with one of the most enlightened developers of the day—James Rouse, best known for his humanely planned, racially integrated new town of Columbia, Maryland. There Gehry designed several structures, including the Rouse Company Headquarters of 1969–1974, followed by a number of other Rouse projects on both coasts, including his Pop-inflected Santa Monica Place shopping mall of 1972–1980. He then reinvented himself as an artist who used architecture as his medium, a move as risky as Andy Warhol’s decision a decade earlier to abandon his lucrative practice as a commercial illustrator and take up fine art.