Alan Jacobs

Currently listening: Van Morrison, Veedon Fleece (one of my favorite records for more than forty years now). 🎵

In Douglas Rushkoff’s new book, he acknowledges that he was wrong to say, as he was perhaps the first to do, that to the social media platforms you are not the customer but the product. Rather, he now argues, the company’s stock is the product; you are the unpaid labor that increases the value of that product.

When I read crypto-bro stories like this one I always think of Yeats: “The rhetorician would deceive his neighbor, / The sentimentalist himself.”

Leon Shamroy, writing in American Cinematographer in 1947:

Not too far off is the "electronic camera." A compact, lightweight box no larger than a Kodak Brownie, it will contain a highly sensitive pickup tube, 100 times faster than present-day film stocks. A single lens system will adjust to any focal length by the operator merely turning a knob, and will replace the cumbersome interchangeable lenses to today. Cranes and dollies weighing tons will be replaced by lightweight perambulators. The camera will be linked to the film recorder by coaxial cable or radio. The actual recording of the scene on film will take place at a remote station, under ideal conditions. Instead of waiting for a day —or days, in the case of shooting with color — electronic monitor screens connected into the system will make it possible to view the scene as it is being recorded. Control of contrast and color will be possible before development.

It is not too difficult to predict the effect of such advancements on the production of motion pictures. Economically, it will mean savings in time and money. Since the photographic results will be known immediately, it will be unnecessary to tie up actors and stages for long periods of time. The size and sensitivity of this new camera will make photography possible under ordinary lighting conditions. Shooting pictures on distant locations will be simplified. generators, lighting units, and other heavy equipment will be eliminated, thus doing away with costly transportation.

This post by Victor Mair on the staggering variation in translations of the Daodejing points to something that has been worrying me. I want to go father with my investigations into Daoism — see the relevant tag at the bottom of this post — but I keep running into differences in the various translations that are this extreme or even more so. I’m starting to think that I’m either going to have to abandon my Daoist inquiries … or learn Chinese. The latter being a very daunting thought, especially at my age. (If I’m going to pursue any language with an alphabet other than my own, it probably should be Greek — which I know a bit of — or Hebrew — which I don’t really know at all.) 

Illustration by my buddy Austin Kleon

As I mentioned in earlier posts, Noah Smith wants to outsource much of the process of writing, and Derek Thompson wants to outsource his research. In other news, Marina Koren is bothered by the slowness of 2001: A Space Odyssey, and her partner wants to watch the movie at 2X speed. Perhaps he also participates in the TikTok practice of listening to songs at double-speed. 

My question about all this is: And then? You rush through the writing, the researching, the watching, the listening, you’re done with it, you get it behind you — and what is in front of you? Well, death, for one thing. For the main thing. 

But in the more immediate future: you’re zipping through all these experiences in order to do what, exactly? Listen to another song at double-speed? Produce a bullet-point outline of another post that AI can finish for you? 

The whole attitude seems to be: Let me get through this thing I don’t especially enjoy so I can do another thing just like it, which I won’t enjoy either. This is precisely what Paul Virilio means when he talks about living at a “frenetic standstill” and what Hartmut Rosa means when he talks about “social acceleration.” 

I say: If you’re trying to get through your work as quickly as you can, then maybe you should see if you can find a different line of work. And if you’re trying to get through your leisure-time reading and watching and listening as quickly as you can, then you definitely do not understand the meaning of leisure and should do a thorough rethink. And in both cases maybe it would be useful to read Mark Helprin on “The Acceleration of Tranquility.”