Adam Roberts, “MusΓ©e des Prole Arts.”

I LOL’d while reading this post by Phil Christman because it captures so perfectly a certain moment in a certain subculture I know intimately. (I’m too old to have gone through it myself, and anyway I wasn’t raised a Christian, but the β€œChristian-artsy-kid” world of 25 years ago is one for which I have great affection.)

I wrote this morning about the world’s best copy editor and offered your occasional reminder of how much I hate Microsoft Word.

Christine Rosen’s new book The Extinction of Experience β€” which I blurbed β€” is here also, and here’s a preview in podcast/interview form.

Jeff Bilbro’s new book Words for Conviviality β€” which I blurbed β€” is just out, and here’s a preview.

Hi! I’m back!

I’ll be back!

Looking at what the next few weeks hold for me 😬 I realize that I need to take a break from micro.blog for a while. I’ll still be writing at the big blog, though perhaps less frequently than usual. Ciao for now!

I just keep coming back to this one. 🎡

People love Big Stories, sweeping narratives that seek to describe the whole world or the last thousand years, but Big Stories always obscure two essential truths: (a) that local conditions are endlessly variable, and (b) that you and I are constrained by and accountable to our local conditions.

Rachmaninoff in Sydney β€” a report from one of my students.

I wrote up My Correct Views on Theological Diversity – the title being a nod-and-wink in the direction of Leszek KoΕ‚akowski.

You probably have not heard of Mildred Pope, but I bet you’ll be glad to learn about her.

When I’m writing my back would very much prefer that I do it while reclining in a comfy chair, but this photo shows why that wouldn’t really work.

Feels good to cross the 10K barrier. (Working on my Sayers bio.)

Via Damon Krukowski, a reminder that even a basic calendar of events could be a work of art if you wanted it to be.Β 

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