Re: Ross’s column on the virtues of ideological art, I think there are far more virtues to art that resists or defies our familiar categories. But most readers/viewers/listeners when encountering a work that can’t be placed on their game board just call it “not relatable.”

TIL that the official title of King George III’s dentist was Operator for the Teeth.

My bet is that Nico Harrison will trade the rights to the number 1 pick to Cleveland in exchange for Tristan Thompson. πŸ€

I had a good time corresponding with Phil Christman about John Milton, his great big poem, and Wlliam Blake.

This seems a good time to mention that the “X is dead” discourse has been mighty strong these past few years, and I wrote about it here and here. The quote at the end of that second post, which my buddy Austin Kleon sent me, is essential.

I am blessed to have spent a career working in places that feature expanses of grass and many trees, but today, as I made my way to the office while dodging β€” or detouring around β€”Β earthmovers, road graders, bulldozers, and jackhammers, I was not feeling as grateful as usual. (And as I type these words some kind of drill has just started up somewhere in my building.)

I wrote about why it may not matter that much if we’re in a period of cultural stagnation, and what matters instead.