[gallery] discardingimages:
announcing angel‘Emerson-White Book of Hours’ (detached leaf), Ghent ca. 1480
LA, J. Paul Getty Museum, Ms. 60, recto

[gallery] Making ink from car exhaust
[Geoffrey Hill] always was, of course, a Christian poet, and much of his poetry is about wrestling with his faith (or more specifically, wrestling with aspects of himself, with depression and despair specifically conceived in terms of sin), a set of beliefs and attitudes I did not share. He was also, I suppose, what we might call a politically ‘conservative’ writer (although actually I think Hill’s politics were quite complicated and more idiosyncratic than the tag 'conservative’ implies), although I was not, and am not. But then, Coleridge was also very much both a Christian writer and, in his later life, a political conservative, and there seems to me actual merit, quite apart from my personal enjoyment, in reading him against the grain. from a position, like mine, that does not share many of those assumptions. I don’t mean in order to critique those attitudes, but on the contrary to try to read them in good faith. But writers like Coleridge, and I think Hill, need to be rescued from readers who identify too strongly with the positions they are dramatising.
[gallery] World’s highest bridge nears completion. Watch the video at the link, if you like vertigo.
[vimeo 169673676 w=250 h=141] casualoptimist:
The Last Punchcutter - One for the letterpress obsessives + tool aficionadosOne for the letterpress obsessives and tool aficionados, The Last Punchcutter is a beautiful, wordless film capturing Giuseppe Brachino – who was the head of the engraving department of the Nebiolo Company from Turin – hand-cut a punch for metal type: (via Coudal)
Wallace had his reasons for grammatical zealotry in the classroom, but it wasn’t about being Gradgrindian or prescriptive. I think Wallace is rightly understood as a moral writer – so much of his work explores what it means not just to be human, but to be a good human – but he was also an ethical one. He was always talking about a writer’s responsibilities: the responsibility to be clear, the responsibility to be interesting. Because Wallace’s work could be difficult, because he asked the reader to work, he wanted to be sure he was doing his work too, saying exactly what he intended, in a way that was compelling. Another entry from my notebook: ‘If you’re more interested in what you’re saying than the person listening to you is, you’re the definition of a boring person.’ I remember feeling like I’d been slapped with a stick.
But of all the marvellous and mighty acts related of Him, this altogether surpasses human admiration, and is beyond the power of mortal frailness to understand or feel, how that mighty power of divine majesty, that very Word of the Father, and that very wisdom of God, in which were created all things, visible and invisible, can be believed to have existed within the limits of that man who appeared in Judea; nay, that the Wisdom of God can have entered the womb of a woman, and have been born an infant, and have uttered wailings like the cries of little children! … Since, then, we see in Him some things so human that they appear to differ in no respect from the common frailty of mortals, and some things so divine that they can appropriately belong to nothing else than to the primal and ineffable nature of Deity, the narrowness of human understanding can find no outlet; but, overcome with the amazement of a mighty admiration, knows not whither to withdraw, or what to take hold of, or whither to turn. If it think of a God, it sees a mortal; if it think of a man, it beholds Him returning from the grave, after overthrowing the empire of death, laden with its spoils. And therefore the spectacle is to be contemplated with all fear and reverence, that the truth of both natures may be clearly shown to exist in one and the same Being; so that nothing unworthy or unbecoming may be perceived in that divine and ineffable substance, nor yet those things which were done be supposed to be the illusions of imaginary appearances. To utter these things in human ears, and to explain them in words, far surpasses the powers either of our rank, or of our intellect and language. I think that it surpasses the power even of the holy apostles; nay, the explanation of that mystery may perhaps be beyond the grasp of the entire creation of celestial powers.
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[gallery] Late-summer Sunday morning back garden action
