Alan Jacobs

[gallery] robertogreco:

The Aftershocks, Rebecca Mock (via migurski)

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David Shrigley. I think Frank Chimero pointed me to this on Twitter.

[gallery] David Shrigley. I think Frank Chimero pointed me to this on Twitter.

drawingarchitecture:

Charlie Hodgson, Untitled I (Tribalism, Brutalism & Defensive Architecture), 2015, Ink, Acrylic and Coloured Pencils on Panel.

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drawingarchitecture: Charlie Hodgson, Untitled I (Tribalism, Brutalism & Defensive Architecture), 2015, Ink, Acrylic and Coloured Pencils on Panel.

SpaceX travel posters

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SpaceX travel posters

Someone said to me the other day that MAD MAX is “his Star Wars.” His modern myth. A myth of the time of steel and petrol, that’s about collapsing back into dark history. Viewed as a continuum, the film cycle almost plays as a warning sent ahead to us from 1980. A time capsule that’s still telling itself stories from inside its box. FURY ROAD doesn’t feel like a modern film. It’s a throwback to classical filmmaking. A scream from the nightmares of the last century.

— Warren Ellis

[gallery] Someone said to me the other day that MAD MAX is “his Star Wars.” His modern myth. A myth of the time of steel and petrol, that’s about collapsing back into dark history. Viewed as a continuum, the film cycle almost plays as a warning sent ahead to us from 1980. A time capsule that’s still telling itself stories from inside its box. FURY ROAD doesn’t feel like a modern film. It’s a throwback to classical filmmaking. A scream from the nightmares of the last century.

— Warren Ellis