Finish That Book! - The Atlantic

Finish That Book! - The Atlantic

Today we have a lot of technical innovation, but not a lot of political creativity. The ecosystem no longer produces as much entrepreneurship — mutations that fuel evolution.

Data-driven candidates sacrifice their own souls. Instead of being inner-directed leaders driven by their own beliefs, they become outer-directed pleasers driven by incomplete numbers.

Last week my colleague David Brooks wrote a column on the decline of political imagination, and the way that data-driven campaigning, in particular, has made our politics more rigid and our would-be leaders less creative. I saw some criticisms of the column on Twitter, most of them suggesting that Brooks was radically underestimating the power of polarization, and the way it keeps our politicians in pre-constructed boxes from which even a genius would struggle to escape. To which I would only point out that as true as that may be, those boxes are still themselves the product of human imagination, of a particular way or ways of imposing a partisan order and a binary division on a society of 300 million souls. The imagination at work is collective, not individual — the collective imagination of partisan elites. But its rule over our politics is still not in any way inevitable, and the fact that it’s given us what seems like an increasingly meaningless see-saw is all the more reason to look for very different imaginings instead.

[gallery] architectural-review:

National Pantheon of Kazakhstan. Competition proposal 2014. Lara Lesmes, Fredrik Hellberg, Top Tachapol Tanaboonchai and Grace Suthata Jiranuntarat

a way of writing

There is a genre of writing to which I am particularly devoted, but whose name I do not know. I can only give examples. I think it may have been invented by William Hazlitt, in “The Fight”. Another wonderful instance is Joan Didion’s “Slouching Towards Bethlehem” — the essay, not the book that includes it. This nameless genre combines reporting, observation, social commentary, and deeply felt personal experience, though the experience is often subterranean, or refracted and indirect.

For some years now I have thought that the best current practitioner of this curious mode of narration is John Jeremiah Sullivan, to whom I was introduced when I stumbled on his moving account of attending a Christian rock festival. His “Ballad of Geeshie and Elvie” is a recent small masterpiece, though the mastery is not Sullivan’s own, since it is accompanied by photographs, recordings, and filmed interviews, and is presented beautifully. (It’s worth noting, perhaps, that this nameless genre is highly receptive to documentary supplementation.)

In any event, Sullivan is a fantastic writer, and I read everything of his I can find. But I think that in the last few years another writer has come onto the scene who works this territory as beautifully as Sullivan does, though in a different voice, a different register. His name is Brian Phillips, and you owe it to yourself to read his new essay on Sumo wresting, and several other things as soon as you can manage it. Take your time; read it slowly and with care.

Consider the fact that it takes roughly one million spins on Pandora for a songwriter to earn just $90. Avicii’s release “Wake Me Up!” that I co-wrote and sing, for example, was the most streamed song in Spotify history and the 13thmost played song on Pandora since its release in 2013, with more than 168 million streams in the US. And yet, that yielded only $12,359 in Pandora domestic royalties – which were then split among three songwriters and our publishers. In return for co-writing a major hit song, I’ve earned less than $4,000 domestically from the largest digital music service.

The Concordat Analogy | R. R. Reno | First Things

The Concordat Analogy | R. R. Reno | First Things

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thingsmagazine:

The art of Peter Firmin (via things)

and one more note on politics

I’m a seamless-garment pro-lifer who strongly opposes foreign-policy adventurism, wants to see the total dismantling of the national-security-state apparatus, supports seriously Green policies at the national level despite being generally a strong proponent of subsidiarity, and cares most of all about the preservation — indeed the extension — of our eroding religious freedoms. So I have lots of excellent options this Election Day!

Look, I don’t expect the Lincoln-Douglas debates, but the stupidity and unseriousness of our politics is exhausting. It makes me think in more more uncharitable moments that if you want to serve in Congress, something must be wrong with you.
Rod Dreher. I don’t think that something must of wrong with you if you want to serve in Congress, but I think that if you get to be an officially-approved candidate of one of our two major political parties something is almost certainly very, very wrong with you.