a matter of fact

In recent years, and in several states, the Catholic church has shut down its adoption services rather than comply with state laws mandating that gay and lesbian couples be granted equal opportunity to adopt.

In its public communications the Church has consistently said that it could only be licensed by the states to handle adoptions if it complied with these laws.

Supporters of the laws have consistently said that the Church would merely have been denied state funds if it hadn’t complied.

The implication of the Church’s statements is that it could not function at all without obedience to the laws (presumably because state laws do not allow for non-licensed organizations to administer adoptions); the implication of its opponents’ statements is that the Church could have continued to offer adoptions but at a higher cost.

I have read dozens and dozens of articles and posts about this controversy, every single one of which merely asserts its position as factual without any substantiation (e.g., from the relevant legal codes). Moreover, I can’t tell whether the legal situation might be significantly different in different states.

Can anyone point me to reliable sources on these questions? (And please: do not simply make your own unsubstantiated assertions. That would be to darken counsel by words without knowledge. I need reliable sources here.) I don’t have commenting enabled here, so replies on Twitter or via email are best. I would be very grateful for any assistance.

UPDATE: Thanks to those who replied. I have lots of stuff to read now!

the authorial POV

I didn’t really know Walker Percy, but one day when I was in Maple Street Book Shop I spotted Walker coming up the walk.

I said to Cutting Jahnke, who was minding the store, “Quick, sell me a copy of The Last Gentleman. I want to ask him to autograph it.”

Walker came in and said hello in his diffident manner. I asked him to autograph the book, and while he was signing, I ventured, “I don’t mind telling you, Mr. Percy, that this book changed my life.”

Walker looked down at the floor, shuffled his feet a little, and said, “Well, it didn’t do a damned thing for me.”

— The Book That Didn’t Change Walker Percy’s Life | The American Conservative.

liberalism and pluralism

But let me enter a suggestion as a conclusion. Liberalism should have the confidence to tolerate institutions, even large ones, that have competing and contrary missions to those of the state. The very liberality of the managerial state is guaranteed by real diversity, not just of skin color and sexual preference, but of religion and values, too.

Real pluralism preserves the possibility of critique emerging within a liberal state. The interplay of individuals and diverse institutions encourages liberality and understanding at the ground level of citizenship — the gratitude for people very different from you who are still very solicitous of your needs. Whereas the strict ideological hen-pecking of the state creates a kind of existential dread, and intensifies the panic of the culture war — the fear that a loss on principle in one case, is the loss of all power and recourse in the future. Legislators and jurists would do best to retain these two essential liberal values, by finding solutions that deftly avoid setting them against each other.

— Michael Brendan Dougherty

 

Lenten Privations

One might, as well, consider this Lenten period as a period of descent. For one, it can be a period of our more frequently descending with our minds into our hearts in silent prayer, into prayer as communion with Christ. It is also a descent into our partaking of His kenosis, His emptying, His self-sacrifice that occasions our healing. Lent, therefore, becomes a salutary means of our dying to mindless habits, our dying to soul-scattering distractions, our dying to life-inhibiting illusions. It becomes a season of greater deliberation, and a recovery of our sense of the invisible Love in whom we live and move and have our being, even when we don't take notice. Great Lent is the Church's way of assisting our taking notice.

We die for a season, and then we live, live with greater awareness, and live more fully. So they say, and so I gather.

— Scott Cairns

great hope in Ash Wednesday

I’ve said it before but it bears repeating:  People who think I’m some crazy liberal are always so shocked about how much I love to talk about sin.   I think liberals tend to think admitting we are sinful is the same as having low self-esteem.  And then conservatives equate sin with immorality.  So one end of the church tells us that sin is an antiquated notion that only makes us feel bad about ourselves so we should avoid mentioning it at all.  While the other end of the church tells us that sin is the same as immorality and totally avoidable if you can just be a good squeaky-clean Christian. Yet when sin is boiled down to low self-esteem or immorality then it becomes something we can control or limit in some way rather than something we are simply in bondage to.  The reality is that I cannot free myself from the bondage of self. I cannot by my own understanding or effort disentangle myself from self interest – and when I think that I can …I’m basically trying to do what is only God’s to do.

So, to me, there is actually great hope in Ash Wednesday, a great hope  in admitting my mortality and my brokenness because then I finally lay aside my sin management program long enough to allow God to be God for me.  Which is all any of us really need when it comes down to it.

— Nadia Bolz-Weber

The Pantheon, Rome

[caption id=“attachment_14081” align=“alignnone” width=“768”]Dehio, G. and von Bezold, G.: “Die Kirchliche Baukunst des Abendlandes” (1884) Dehio, G. and von Bezold, G.: “Die Kirchliche Baukunst des Abendlandes” (1884)[/caption]

Patrick Deneen on academic freedom

What is particularly telling in Ms. Korn’s article is that she identifies perhaps the one conspicuous conservative professor on the Harvard campus for censure (even as she quotes him quite severely out of context). When thinking of who should be silenced at Harvard, she can only think of one person, a single conservative octogenarian. Her call for “censorship” of conservative views on campus is at this point almost wholly unnecessary, since there are nearly no conservatives to be found at Harvard, or on most college campuses today (the University of Colorado has gone so far to create a Chair in Conservative Studies, since there was no other way to locate a conservative on that campus). Her call is actually much less controversial than it appears at first glance, since it effectively describes the de facto political and social condition on most college campuses today.

And so it ever was: religious universities for much of their history were not in the business of actively limiting the academic freedom of the professoriate, because then—as now—the faculty were largely in agreement about the proper object of that academic freedom. They differed, however, in the nature of those commitments. My former Georgetown colleague, Hans Noel, has written of his gratitude for not being forced by Georgetown to conform his teachings on abortion to the views of the Pope. Indeed, it does not. But in a different time, there was no need to even express such gratitude – the faculty who taught at Georgetown were there because of a commitment to the Catholic teachings, and conformed not because they had to, but because they embraced those teachings as true. So it is today—the faculty largely accept as true most liberal mantras, including the not-so-courageous view that the Pope is wrong on abortion, support for gay marriage, and so on. They are the fruits of Mill’s transformation—the defenders of “experiments in living.” Sandra Korn has not called for a fundamental change, but described how things are.

— What’s Wrong with Academic Freedom

moon type

[caption width=“1280” align=“aligncenter”] From this post, a pretty curious display typeface for a nineteenth-century poster.[/caption]

GKC on Tolstoy

In one sense, and that the deepest sense, the work of Tolstoy is, of course, a genuine and noble appeal to simplicity. The narrow notion that an artist may not teach is pretty well exploded by now. But the truth of the matter is, that an artist teaches far more by his mere background and properties, his landscape, his costume, his idiom and technique all the part of his work, in short, of which he is probably entirely unconscious, than by the elaborate and pompous moral dicta which he fondly imagines to be his opinions. The real distinction between the ethics of high art and the ethics of manufactured and didactic art lies in the simple fact that the bad fable has a moral, while the good fable is a moral. And the real moral of Tolstoy comes out constantly in these stories, the great moral which lies at the heart of all his work, of which be is probably unconscious, and of which it is quite likely that he would vehemently disapprove. The curious cold white light of morning that shines over all the tales, the folklore simplicity with which ” a man or a woman” are spoken of without further identification, the love – one might almost say the lust – for the qualities of brute materials, the hardness of wood, and the softness of mud, the ingrained belief in a certain ancient kindliness sitting beside the very cradle of the race of man – these influences are truly moral. When we put beside them the trumpeting and tearing nonsense of the didactic Tolstoy, screaming for an obscene purity, shouting for an inhuman peace, hacking up human life into small sins with a chopper, sneering at men, women, and children out of respect to humanity, combining in one chaos of contradictions an unmanly Puritan and an uncivilised prig, then, indeed, we scarcely know whither Tolstoy has vanished. We know not what to do with this small and noisy moralist who is inhabiting one corner of a great and good man.

— G. K. Chesterton, Tolstoy and the Cult of Simplicity

[gallery] ransomcenter:

In a time of food shortage during World War I, Russian propaganda posters portrayed food as evil. These images are part of the Ransom Center’s World War I propaganda poster digital collection.