ransomcenter:

In case you missed it, learn all about Rene Belbenoit, prison escape artist, butterfly enthusiast, and storyteller. A recently cataloged manuscript of his autobiography tells the story of of this “incorrigible” Frenchman through his own words and illustrations. 

Now, remember that according to [Richard] Dawkins the story is told so that we should admire not Thomas, but the other disciples, “whose faith was so strong that they did not need evidence.” What is wrong with that? Well, first of all, the other disciples believed in the resurrection not through blind faith, but because they saw the risen Jesus with their own eyes.

Dawkins is right that we are not supposed to admire Thomas’s refusal to believe, but he is wrong about the reason. Thomas’s behaviour really is a little irrational. What better basis for belief could he have had than the testimony of his most trusted friends? We all have to rely on testimony rather than first-hand experience for the vast majority of our knowledge.

Thomas’s sin was the refusal to believe reliable testimony. The English natural philosopher and theologian John Wilkins wrote about the Doubting Thomas story in the seventeenth century. Jesus’s saying ‘Blessed are those who have not seen and yet believe’ signified, for Wilkins, that it was ‘a more excellent, commendable and blessed thing for a man to yield his assent, upon such evidence as is in itself sufficient, without insisting upon more.’ The testimony of the other disciples should have been in itself sufficient for Thomas; and yet he insisted upon more.

Thomas Dixon

Ruins of the Roman city of Leptis Magna in Libya, via In Focus

The kind of people adult, white, middle-class, liberal-artsy types hate the most are other adult, white, middle-class, liberal-artsy types. And that is what animates Slate, that annoyance. It’s partially self hatred and partially the hatred of those who resemble you in many ways but who, in your own mind, fall far short of your own standards. I’m not suggesting that that’s a ridiculous attitude; we all feel some version of these feelings, and unless you’re of the opinion that all people are equal in temperament and character, they can be rational. But I am saying that satisfying this desire, to grind away the resentment of the digitally-inclined creative (or “creative”) bourgeois, is the real ethos of Slate. The contrarianism is a means, not an end; cheesing off other AWMCLATs will often involve defying the conventional wisdom in a kind of showy way.

natgeofound:

Alexander Graham Bell’s tetrahedral tower is unveiled in 1907 in Nova Scotia.
Photograph courtesy the Bell Collection

We promote freedom of speech and expression precisely so that we can openly disagree about what our culture should be and should value. We vote by admitting certain works to our memory and insisting that our friends also read, listen to, or look at it. Works that are beloved by many have a proportionate effect on the culture; works that are loved by fewer, but with greater intensity, may have an equal or greater effect. It is impossible to measure.

A work may indeed be dangerous, but the counter is not often to censor it, it is to offer an alternative. Yet puritans of one stripe or another invariably insist on censorship. Just as the Puritans of Political Correctness ban any speech by their opponents on most American university campuses merely because they do not agree with them, so also the Puritans of anti-violence would ban videogames merely because they do not enjoy them.

In fact we have actual data about the effects of videogames; even the most harmful are relatively harmless, in terms of any direct cause and effect on real-world violence. Pornography, on the other hand, has been proven to be a rehearsal for real-world acting-out of the scripts thus depicted. Yet the very people who would ban videogames are often the ones most insistent on protecting the freedom of pornographers. Research makes no difference to them; actual facts rarely influence people’s visceral decisions.

My problem is that I understand the arguments for and against censorship. There are things that I believe damage society — pornography among them — but I’m not absolutely sure that I’m right, or that a ban, if once instituted, would be limited to what I would call “pornography.” Once we admit censorship, the definition of the thing censored will always be expanded to include unintended objects.

I dreamed that being in a house in the city, and with much company, looking towards the end of the room from the upper end of it, I descried a figure which I immediately knew to be Milton’s. He was very gravely, but very neatly attired in the fashion of his day, and had a countenance which filled me with those feelings that an affectionate child has for a beloved father. … My first thought was wonder, where he could have been concealed so many years; my second, a transport of joy to find him still alive; my third, another transport to find myself in his company; and my fourth, a resolution to accost him. I did so, and he received me with a complacence, in which I saw equal sweetness and dignity. I spoke of his Paradise Lost, as every man must, who is worthy to speak of it at all, and told him a long story of the manner in which it affected me, when I first discovered it, being at that time a schoolboy. He answered me by a smile, and a gentle inclination of his head. He then grasped my hand affectionately, and with a smile that charmed me, said, ‘Well, you for your part will do well also’; at last recollecting his great age (for I understood him to be two hundred years old) I feared that I might fatigue him by much talking, I took my leave, and he took his, with an air of the most perfect good-breeding.

— William Cowper, letter to William Hayley, 1793

natgeofound:

A large group of actors relax and talk on the lawn at Monticello in Virginia, December 1928.
Photograph by Jacob J. Gayer, National Geographic