According to the Pew Forum, between 2006 and 2010 Christians faced some form of discrimination, either de jure or de facto, in a staggering total of 139 nations, which is almost three-quarters of all the countries on earth. According to the Center for the Study of Global Christianity at Gordon-Conwell Theological Seminary in Massachusetts, an average of 100,000 Christians have been killed in what the centre calls a ‘situation of witness’ each year for the past decade. That works out to 11 Christians killed somewhere in the world every hour, seven days a week and 365 days a year, for reasons related to their faith.In effect, the world is witnessing the rise of an entire new generation of Christian martyrs. The carnage is occurring on such a vast scale that it represents not only the most dramatic Christian story of our time, but arguably the premier human rights challenge of this era as well.
People gather on a roof terrace in the District of Columbia as lights come on in nearby buildings, April 1967.Photograph by Joe Scherschel, National Geographic
Mental Floss: Purely for trivia and posterity’s sake, if you could indulge some (even more) inane queries: One story that’s made the rounds is that a plush toy manufacturer once delivered a box of Hobbes dolls to you unsolicited, which you promptly set ablaze. For people who share your low opinion of merchandising, this is a fairly delightful story. Did it actually happen?Bill Watterson: Not exactly. It was only my head that burst into flames.
However you slice and dice the history, the strategery, and the underlying issues, the decision to live with a government shutdown for an extended period of time — inflicting modest-but-real harm on the economy, needlessly disrupting the lives and paychecks of many thousands of hardworking people, and further tarnishing the Republican Party’s already not-exactly-shiny image — in pursuit of obviously, obviously unattainable goals was not a normal political blunder by a normally-functioning political party. It was an irresponsible, dysfunctional and deeply pointless act, carried out by a party that on the evidence of the last few weeks shouldn’t be trusted with the management of a banana stand, let alone the House of Representatives.This means that the still-ongoing intra-conservative debate over the shutdown’s wisdom is not, I’m sorry, the kind of case where reasonable people can differ on the merits and have good-faith arguments and ultimately agree to disagree. There was no argument for the shutdown itself that a person unblindered by political fantasies should be obliged to respect, no plausible alternative world in which it could have led to any outcome besides self-inflicted political damage followed by legislative defeat, and no epitaph that should be written for its instigators’ planning and execution except: “These guys deserved to lose.”
Printing at Oxford University Press in the 1920s: CompositorsThe compositors arrange the type for printing. Here, they are compiling a Syriac dictionary, which seems to demand very complex type! (Incidentally, a meeting of compositors is called a chapel.)
These clips are from a silent film made in 1925 by the Federation of British Industry, illustrating industrial life and including the work of Oxford University Press. See more video clips on our Tumblr OUP Archive stream to learn about the History of Oxford University Press. OUP’s Archive Department collects, catalogues, and preserves all material of long-term importance associated with the Press’s commercial and social activities in Britain, from the 17th century to the present day.
A different illustration is found among the elves of Lorien, in their love of beauty and their love of nature. They are Sylvan Elves (East Elves) but the rulers they choose to obey are Eldar (West Elves). They choose to be ruled by people better than themselves, in other words, exactly as we choose to be ruled by people worse.
For, ahem, some reason, I was inspired to look up this classic 2001 essay today. So many good passages here:
“What [Tolkien] did, then, was to plant in my consciousness and yours the truth that society need not be as we see it around us.”
(via triadic)
Meanwhile standard-bearer lists like the AFI’s 100 Years… 100 Movies or Sight & Sound’s Greatest Films Poll are sorely underrepresented. None of the AFI’s top 10 American films are currently streaming on Netflix; just 14 out of the list’s 100 titles are currently available there. The pickings are even slimmer from Sight & Sound’s top 100 (or 102; they rank with ties), where just 11 movies are streaming at the moment. You’ll have to look elsewhere if you want to watch Citizen Kane or The Godfather or The Rules Of The Game or 2001: A Space Odyssey or Breathless or Seven Samurai or Vertigo or Psycho (at least Hitchcock’s version; Netflix has Van Sant’s). And if students aren’t looking elsewhere, that’s troubling.
Is Our Age Degenerate?. From the set Little Blue Books (via things)
On Twitter people mostly play nice because if you say something cutting about someone, they’re likely to know in about 15 seconds. Their front pocket is going to vibrate. Contumely alert! Tweet wars are incredibly depressing. It’s like battling by throwing one frozen pea at a time. I like Twitter. If you learn how to calibrate it, the conversation is fizzy. I don’t think the Twitter world spills over much into the critical world.What’s hurt critical discourse is that there aren’t as many book review sections. It doubles the burden on anyone reviewing for the Times. You often feel like yours may be among the only national reviews a book gets. It’s as if you’re taking its yearbook photo.
When I was an editor at the Book Review, the idea of writing for the Times would make some writers freeze up. You’d assign them a book, then you’d talk to him or her on the phone a few weeks later and they’d say, “Why did you send me this steaming pile of dog waste? This book is criminally bad.” Then the review would come in and it would be eight paragraphs of the most tedious plot summary topped by a word like “lyrical.” I was often in the position of gently reminding reviewers, “You’re not writing this for the author’s mother. You’re writing it for the tens if not hundreds of thousands of serious and inquisitive people out there who will be reading you.”
Part of a series of quotes from the book, beautifully laid out by HarperOne.