Map from John Hunt, “The Ceremonies of the Conclave and Print Culture in Baroque Rome”, via The Collation
RSS is a good tool. It gives you a simple way to shape and filter the web’s content to suit your own needs. It lends you its power when you need it without requiring any broader entanglement. Its developers, to their credit, made its simplicity central. They were acting as tool-makers, which is how software programmers and web developers tended to act a decade ago. That was before the platform-builders arrived, with their schemes.Google was once a tool-maker. Now, it’s a platform-builder. Like Facebook. Like Apple. Like Microsoft. Like Twitter. Like all the rest. And so Google is killing off its popular RSS tool Google Reader. Tools are threats to platforms because they give their owners ways to bypass platforms. If you have a good set of tools, you don’t need a stinking platform. If you’re happy with RSS, you’re a little less likely to sign up for Google or Twitter or Facebook. At the very least, the tool gives you the choice. It grants you self-determination.
RSS, like other web tools and even other personal-computer tools, is doomed—not doomed, necessarily, to disappear, but doomed to be on the periphery, largely out of sight. “We’re living in a new kind of computing environment,” said Google engineer Urs Hölzle in announcing the “closure” of Google Reader. He’s right. The tool environment is gone. The platform environment is here. Consider yourself entangled.
Then other things started to come out. EA released statements to the effect that the game would be nigh-impossible to reengineer to run offline, because “with the way that the game works, we offload a significant amount of the calculations to our servers so that the computations are off the local PCs and are moved into the cloud.” Gamers responded that this was probably ridiculous bullshit, but we didn’t have proof of this until the last twenty-four hours, wherein a modder was able to run the non-regional version of the game offline without any significant issues. A Maxis insider has confirmed this. Clearly a “significant amount of engineering” isn’t actually required in order to make the game playable without an internet connection. The DRM that was presented by the game’s distributor as a fundamental part of the game’s function is not fundamental, practically speaking.So either EA was misinformed by Maxis, or they’re lying.
Why should we care about this? Most simply, because it’s a continuation of an ongoing trend: The recategorization of technology owners as technology users, of the possession of private property transformed into the leasing of property owned by others, with all the restrictions on use that come along with it. And what’s most worrying about this are all the ways in which we as owner-users are being encouraged to view this as a normal part of our relationship with our stuff. When the very concept of “our stuff” is up for grabs.
Ironically, I think the reason Google always wanted to pull the Reader team off to build these other social products was that the Reader team actually understood social (and tried a lot of experiments over the years that informed the larger social features at the company). Reader’s social features also evolved very organically in response to users, instead of being designed top-down like some of Google’s other efforts.
When rich people present the idea that they’ve learned to live lightly as a paradoxical insight, they have the idea of wealth backwards. You can only have that kind of lightness through wealth.If you buy food in bulk, you need a big fridge. If you can’t afford to replace all the appliances in your house, you need several junk drawers. If you can’t afford car repairs, you might need a half-gutted second car of a similar model up on blocks, where certain people will make fun of it and call you trailer trash.
Please, if you are rich, stop explaining the idea of freedom from stuff as if it’s a trick that even you have somehow mastered.
The only way to own very little and be safe is to be rich.
The Rite of Spring: Igor Stravinsky’s own hand-written manuscripts are published for the first time in 2013
Is there anything better than walking into a library for the first time, the wonder and joy of having so much knowledge and history and entertainment at one’s fingertips? In the coming years I hope that the DPLA will kindle that spirit of exploration. I want the American public to know that the DPLA will be the place to go to find documents and images about their hometown, scanned and curated locally; to be able to pull out their smartphone, launch an app powered by DPLA’s data, and take an impromtu walking tour of the hidden past of their current location; to see the DPLA’s open and free content spread across classes from kindergarten to graduate school; and many other exciting possibilities enabled when formerly disparate collections are knit together—entirely new kinds of searching, discovery, and learning. Forget the massive technical infrastructure; if the DPLA can ignite that wonder that only libraries can provide, we will have done our job.
Drug Store in the Pennsylvania Station, New York (via things)
Despite evidence that anger is routinely expressed over the Internet via weblogs, social networking Web sites, and other venues, no published research has explored the way in which anger is experienced and expressed online. Consequently, we know very little about how anger is experienced in such settings. Two studies were conducted to explore how people experience and express their anger on a particular type of Web site, known as a rant-site. Study 1 surveyed rant-site visitors to better understand the perceived value of the Web sites and found that while they become relaxed immediately after posting, they also experience more anger than most and express their anger in maladaptive ways. Study 2 explored the emotional impact of reading and writing rants and found that for most participants, reading and writing rants were associated with negative shifts in mood.