Alan Jacobs


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Yet I continue to love American (and Canadian) trains. I am trying to rebrand my debilitating and expensive fear of flying as Steampunk Travel and – at a certain level – I find I am convincing at least myself that rail transportation is a good and lovely, as well as an ecological, option. US trains are roomy, their passengers have no expectations and therefore often eschew UK passengers’ lapses into frenzied disappointment and rage when they are delayed, misled, or ignored. Plus, US trains are still rich in the iconic elements that I, lover of black and white movies that I am, find intoxicating. They are monumental: they still roll majestically into stations with their bells ringing like harbingers of strange mortality, they still hoot across the countryside in the manner of wistful mechanical whales, the conductors still wear little round blue conductor’s hats and the Red Caps still wear red caps – although sometimes they’re baseball caps … From my first exposure to a real live US train around 20 years ago in California, I have been in love with them. It glided and wailed along the sunset into a wood-canopied rural station full of cicada songs and moist heat and my heart was lost.