Alan Jacobs


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One can, of course, and perhaps even should, question Rorty’s account of the various ways in which people are socialized into assuming the existence of non-contingent patterns. After all, it is also possible for one’s socialization to pull the other way – away from a recognition of pattern rather than towards it. I know of no more powerful illustration of this point than the concluding pages of V. S. Naipaul’s An Area of Darkness, a memoir of his first visit to his ancestral homeland. “The world is illusion, the Hindus say,” and Naipaul reflects that while he was in India he had come close to the “total Indian negation”: during the year that he lived on the subcontinent it had very nearly “become the basis of thought and feeling.” But, back in Europe, he can no longer find that “basis,” no longer share that “negation” – yet he is not sure whether he has recovered the proper orientation to his life or lost it: “And already … in a world where illusion could only be a concept and not something felt in the bones, it was slipping away from me. I felt it as something true which I could never adequately express and never seize again.” The possibility that people born and educated in the West in our time might be culturally formed in such a way that contingency is what they “feel in their bones” — so that a belief in the world as illusion, or in the providence of a just God, is at most a mere “concept” — is one that people like Rorty never take seriously, even if their theory obliges them to an acknowledgment of it.
— That’s me, from Looking Before and After. For some reason I’ve been thinking lately about this issue.