At the time of his death, he was a much admired dramatist. But Francis Beaumont, who passed away a few weeks before him, was equally admired, on the basis of far fewer plays. The centenary of Shakespeare’s birth fell soon after the theatres reopened with the Restoration of the monarchy, following the period when the Puritans had closed them down for the duration of the Civil War. His plays formed a staple part of the repertoire, but those of Beaumont and John Fletcher were performed more frequently. Shakespeare only pulled ahead of the pack in the Georgian era. It was around his 200th anniversary, under the auspices of the great actor David Garrick, that he took on his status as National Poet and exemplar of artistic genius. He has never fallen out of fashion, but in the past 25 years or so his reputation has become truly stratospheric. In Britain and around the world you can see more Shakespeare than ever before. It may indeed be that his reputation has reached its high-water mark and can only recede.