Fascinating tidbit from David Thomson’s biography of David O. Selznick: When Selznick heard what the studio did to The Magnificent Ambersons, he tried to get the original footage donated to the Museum of Modern Art (357). There’s no citation for this claim, however; I assume Thomson’s source was Irene Selznick, DOS’s first wife, whom Thomson interviewed at great length. If the story is true, which I doubt, DOS showed remarkable foresight; and of course if he had managed it, an artistic tragedy would have ben averted.