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I linked to this before, I think, but I continue to listen obsessively to Alec Goldfarb’s new record Fire Lapping at the Creek — which is, let the listener beware, microtonal blues. Which is crazy, except that blues blues has microtonal elements. What a record. ♫
I am aware that microtonal jazz-blues might not be everyone’s cup of tea, but I love the new Alec Goldfarb record. ♫
Currently listening: Danish String Quartet, Last Leaf. One of my most-listened-to records of the past five years. ♫
Recent listening: Ralph Vaughan Williams’s wondrous Fifth Symphony. ♫
Playing this morning: Khruangbin’s A LA SALA. ♫
I love to see this terrific profile of Khruangbin, one of my favorite current bands, but I miss the days when listening to Khruangbin felt like a secret pleasure that you didn’t really want to share widely. ♫
The Queen and the Duke ♫
Miles and Pops ♫
Fascinating from Ethan Iverson on the Duke: “Who even knows the right changes to Ellington hits? I remember my first attempts to learn famous Ellington tunes: when I eventually heard the Ellington versions, they seemed wrong, since the changes were so different than what were in the fakebooks and on everybody else’s records. Even functions as obvious as tonic and dominant could be reversed. And Duke’s middle voices — his counterpoint! — frequently went by too thick and too fast to be reducible to changes. (Of course, that’s true of any reasonably sophisticated big band writing, but my gut tells me it’s harder to make a really good cheat sheet of Duke than just about anybody else.)” ♫