Alan Jacobs

The upcoming Eric Ravilious exhibition at the Towner Art Gallery will apparently include his wonderful calendars.

Saul Steinberg, “The South” (1955). Chris Ware on Steinberg here.

What we have here, in other words, is a piece of pornography written in order to stimulate the political libidos of paranoiacs who find their Twitter feeds insufficiently lascivious. Mr. Schenkkan, on the other hand, has described “Building the Wall” as “not a crazy or extreme fantasy,” which tells you everything you need to know about his point of view. It is, of course, possible to spin exciting drama out of raging paranoia, but that requires a certain amount of subtlety, not to mention intelligence, and

— Terry Teachout. The play under review seems to be a textbook example of what I have called elsewhere using fantasy to build a world in which your political enemies can be just as evil as you want them to be.

[caption width=“470” id=“attachment_30080” align=“aligncenter”] Japanese movie poster, from Voices of East Anglia[/caption]

Modern society, as a whole, tends toward a sort of institutional optimism, espousing Hegelian notions of history as progress and encouraging us to believe happiness is at least potentially available for all, if only we would pull together in a reasonable manner. Hence the kind of truth pessimists tell us will always be a subversive truth. All the quotations I chose from Cioran, almost at random, could be understood as rebuttals of the pieties we were brought up on: that knowledge is a vital acquisition, that we must work to help and save each other, that it is positive to be industrious and healthy, that freedom is supremely important, and so on.

Such a radical deconstruction may be alarming, yet when carried out with panache, zest, and sparkle, it nevertheless creates a moment’s exhilaration, and with it, crucially, a feeling of liberty. Reading Leopardi or Cioran or Beckett, one is being freed from the social obligation to be happy.

— Tim Parks

It’s dismaying to see some conservatives defending or making excuses for Gianforte’s assault — I guess they haven’t been paying attention to the debate on campus, where conservatives have been trying to make the case that hearing speech you don’t like doesn’t justify violence.

— Rich Lowry. Conservatives who make excuses for, or simply celebrate, what Gianforte did are merely playing the most common game in American politics today: The Rules Are Different For Us. I often wonder whether American respect for the rule of law, equally applied to all, is at a low-water mark. And not just the rule of law as such: for instance, people cheer the expansion of executive power when their party holds the Presidency, denounce it as the ultimate political evil when the other party is in the White House. At the rate things are going, the idea that there might be political and moral principles that transcend partisan affiliation will simply be dead in another decade.

So today I want to speak about why we chose to remove these four monuments to the Lost Cause of the Confederacy, but also how and why this process can move us towards healing and understanding of each other.

So, let’s start with the facts. The historic record is clear. The Robert E. Lee, Jefferson Davis, and P.G.T. Beauregard statues were not erected just to honor these men, but as part of the movement which became known as The Cult of the Lost Cause. This ‘cult’ had one goal—through monuments and through other means—to rewrite history to hide the truth, which is that the Confederacy was on the wrong side of humanity.

— Mayor Mitch Landrieu of New Orleans. Not “the wrong side of history,” that fatuous and overused phrase: the wrong side of humanity.

Since, therefore, we see in [Jesus Christ] qualities so human that they stand in no way apart from the common weakness of mortals, and qualities so divine that they befit nothing except that highest and ineffable nature which is deity, the human intellect is seized with perplexity and so silenced with amazement that it cannot tell where to go, what to think, or where to turn. If it discerns God, what it sees is a mortal. If it thinks him a human being, what it perceives is one returning from the dead bearing the spoils of death's conquered empire.

. . . Obviously, to set all this forth for people and explain it in speech far exceeds the power at once of our deservings, our talents, and our words. I judge, however, that it surpassed the capacity of even the holy apostles; indeed, when all is said, the explanation of this mystery may reach even beyond the whole created order of the heavenly powers.

— Origen of Alexandria, De Principiis, Book II, Chapter 6, “On the Incarnation of Christ”

Poetry as a tool, a net or trap to catch and present; a sharp edge; a medicine; or the little awl that unties knots.

— "Poetry, Community, & Climax" (Field 20, Spring 1979)

I enjoy talking with Rusty Reno — as I did just yesterday, here in Waco! — but he is, I have learned over the years, a frustrating person to argue with in print, because he doesn’t respond to what you write, but rather what he thinks you must have meant, or, worse, what he thinks someone of your type must inevitably mean.

Case in point: writing here in response to this article of mine, he writes:

Jacobs exemplifies the all-or-nothing approach to politics characteristic of Evangelicals. Seeking a theological voice in the public square, Evangelicals are tempted to discern direct divine warrants for their political judgments. This can lead someone to speak of God anointing Donald Trump to save our nation, and thus implying that no Christian in good conscience could have voted for anyone other than Trump. Alan Jacobs and other Evangelicals (Peter Wehner is a notable instance) are mirror images, describing Trump in ways approaching divine condemnation, implying that no Christian in good conscience could have voted for Trump.

In fact, more than half of my essay is devoted to a critique of the very “all-or-nothing approach” that Rusty says I exemplify. (Maybe he only read the parts of it that concerned him.) And here’s what I write in the conclusion to that essay:

What is required of serious religious believers in a pluralistic society is the ability to code-switch: never to forget or neglect their own native religious tongue, but also never to forget that they live in a society of people for whom that language is gibberish. To speak only in the language of pragmatism is to bring nothing distinctive to the table; to speak only a private language of revelation and self-proclaimed authority is to leave the table altogether. For their own good, but also for the common good, religious believers need to be always bilingually present.

Does that sound like an “all-or-nothing approach” to politics? You could only say so if you weren’t paying attention — perhaps because you think you know what “Evangelicals” are like. (Rusty typically says “Evangelicals” the way Victorian civil servants said “Hottentots.” The first thing Rusty ever said to me, many years ago, was that a talk I gave — on a subject that did not touch on evangelicalism at any point — reminded him why he’s not an Evangelical. One of the chief themes of his essay seems to be that, while he supported Trump — vigorously — he didn't do it for the reasons that Evangelicals did.)

On another matter: Rusty writes, “Christians have theological reasons for not theologizing their political judgments.” Whether that’s true or not depends on what Rusty means by the odd word “theologizing.” If he means that Christians have theological reasons for not making their public arguments in explicitly theological language, then he’s simply restating my claim that “religious believers in a pluralistic society” should remember “that they live in a society of people for whom that language is gibberish.”

But I think he means by not-theologizing something like “not seeking a theocracy,” because from that point he goes on to denounce Christians who “expect the laws of our country to accord with the Sermon on the Mount” – though that is not a position I have ever held. Maybe he’s not even talking about me there, but if not, I don’t know who he is talking about. Does he think that’s the typical view of Hottentots? — I mean, Evangelicals? Hell if I know. All this is just orthogonal to the issues I raise, and the issues that matter. The whole essay, I’m tempted to say, consists of a smokescreen made from burning strawmen.

The sine qua non of this rhetorical strategy comes when Rusty sententiously declares that a post in which I said that I would vote for “the reanimated corpse of Adlai Stevenson” in preference to Donald Trump is deficient in “analytic sobriety.” Can Rusty really be that completely humorless? I would ask him to take a post like that a little more seriously and a little less literally, but I think someone may have used that line before.

So I’ve written a few hundred words here and I still haven’t gotten to any of the really significant issues we could be debating, such as the difference between prudence and pragmatism, or Rusty’s rather astonishing claim that “Trump’s campaign came as close to the platform of European post–World War II Christian democracy as any American candidate for president has come in two generations.” This is what happens when someone ignores what has actually been argued in favor of a fantastical caricature, presumably because the caricature is so much easier to refute. I’ve got a list of seven other ideas Rusty attributes to me that I did not state and do not hold, but it’s too depressing even to contemplate going over those. Whenever Rusty takes the trouble to represent my views accurately, and respond to what I actually argued, I’m ready for a conversation. Until then: as William Blake said, “Enough! Or, Too much.”