[gallery] Mulberry Street, New York City, ca. 1900 — via this story
Is there something here we fear to face, except when clothed in safely sterilized professional speech? Have we grown reluctant in this age of power to admit mystery and beauty into our thoughts, or to learn where power ceases?I referred a few moments ago to one of our own forebears on a gravel bar, thumbing a pebble. If, after the ages of building and destroying, if after the measuring of light years, and the powers probed at the atom’s heart, if after the last iron is rust-eaten and the last glass lies shattered in the streets, a man, some savage, some remnant of what once we were, pauses on his way to the tribal drinking place and feels rising from within his soul the inexplicable mist of terror and beauty that is evoked from old ruins — even the ruins of the greatest city in the world — then, I say, all will still be well with man.
And if that savage can pluck a stone from the gravel because it shone like crystal when the water rushed over it, and hold it against the sunset, he will be as we were in the beginning, whole — as we were when we were children, before we began to split the knowledge from the dream. All talk of the two cultures is an illusion; it is the pebble that tells man’s story. Upon it is written man’s two faces, the artistic and the practical. They are expressed upon one stone over which a hand once closed, no less firm because the mind behind it was submerged in light and shadow and deep wonder.
Today we hold a stone, the heavy stone of power. We must perceive beyond it, however, by the aid of the artistic imagination, those humane insights and understandings that alone can lighten our burden and enable us to shape ourselves, rather than the stone, into the forms that great art has anticipated.
In the history which I require and design, special care is to be taken that it be of wide range and made to the measure of the universe. For the world is not to be narrowed till it will go into the understanding (which has been done hitherto), but the understanding to be expanded and opened till it can take in the image of the world as it is in fact. For that fashion of taking few things into account, and pronouncing with reference to a few things, has been the ruin of everything.
Strange that as modern philosophy transfers the visible wealth of nature more and more to the mind, the mind should seem to lose courage and to become ashamed of its own fertility. The hard-pressed natural man will not indulge his imagination unless it poses for truth; and being half aware of this imposition, he is more troubled at the thought of being deceived than at the fact of being mechanised or being bored: and he would wish to escape imagination altogether. A good God, he murmurs, could not have made us poets against our will.
Greg Egan's amazing web site
It seems pretty clear that when the Australian SF writer Greg Egan designed his home page in 1997, he achieved the Platonic ideal of home page design, and hasn’t changed it since.
This man who speaks to you was born 55 years ago in Vienna. One month after his birth he was put on a train, and then on a ship and brought to the Island of Brac. Here, in a village on the Dalmatian coast, his grandfather wanted to bless him. My grandfather lived in the house in which his family had lived since the time when Muromachi ruled in Kyoto. Since then on the Dalmatian Coast many rulers had come and gone - the doges of Venice, the sultans of Istanbul, the corsairs of Almissa, the emperors of Austria, and the kings of Yugoslavia. But these many changes in the uniform and language of the governors had changed little in daily life during these 500 years. The very same olive-wood rafters still supported the roof of my grandfather’s house. Water was still gathered from the same stone slabs on the roof. The wine was pressed in the same vats, the fish caught from the same kind of boat, and the oil came from trees planted when Edo was in its youth.— Ivan Illich: Silence is a Commons, a talk given in Japan in 1982. This is something I will reflect on and, later, write about.My grandfather had received news twice a month. The news now arrived by steamer in three days; and formerly, by sloop, it had taken five days to arrive. When I was born, for the people who lived off the main routes, history still flowed slowly, imperceptibly. Most of the environment was still in the commons. People lived in houses they had built; moved on streets that had been trampled by the feet of their animals; were autonomous in the procurement and disposal of their water; could depend on their own voices when they wanted to speak up. All this changed with my arrival in Brac.
On the same boat on which I arrived in 1926, the first loudspeaker was landed on the island. Few people there had ever heard of such a thing. Up to that day, all men and women had spoken with more or less equally powerful voices. Henceforth this would change. Henceforth the access to the microphone would determine whose voice shall be magnified. Silence now ceased to be in the commons; it became a resource for which loudspeakers compete. Language itself was transformed thereby from a local commons into a national resource for communication. As enclosure by the lords increased national productivity by denying the individual peasant to keep a few sheep, so the encroachment of the loudspeaker has destroyed that silence which so far had given each man and woman his or her proper and equal voice. Unless you have access to a loudspeaker, you now are silenced.
I hope that the parallel now becomes clear. Just as the commons of space are vulnerable, and can be destroyed by the motorization of traffic, so the commons of speech are vulnerable, and can easily be destroyed by the encroachment of modem means of communication.
Is Ebola the ISIS of biological agents? Is Ebola the Boko Haram of AIDS? Is Ebola the al-Shabaab of dengue fever? Some say Ebola is the Milosevic of West Nile virus. Others say Ebola is the Ku Klux Klan of paper cuts. It’s obvious that Ebola is the MH370 of MH17. But at some point the question must be asked whether Ebola isn’t also the Narendra Modi of sleeping sickness. And I don’t mean to offend anyone’s sensitivities, but there’s more and more reason to believe that Ebola is the Sani Abacha of having some trouble peeing. At first there was, understandably, the suspicion that Ebola was the Hitler of apartheid, but now it has become abundantly clear that Ebola is actually the George W. Bush of being forced to listen to someone’s podcast. Folks, this thing is serious. The World Health Organization calls it the Putin of Stalin. In layperson’s terms, that’s like saying it’s the Stalin of U2. Now we are seeing the idea thrown around that it could be the Black Hand of the Black Death, not to mention the Red Peril of the Red Plague. If you don’t want to go that far, you have to at least admit that Ebola is the Al Qaeda in the Islamic Maghreb of Stage IV brain cancer. At this point, it’s very possible that Ebola could become airborne and turn into the Tea Party of extreme climate events. Throughout the country of Africa, Ebola is the Abu Ghraib of think pieces. Look, I’m not the politically correct type, so I’m just going to put this out there: Ebola is the neo-Nazism of niggling knee injuries. The kind of threat it poses to the American way of life essentially makes it the North Korea of peanut allergies. I’m not going to lie to you, and I don’t care what color you are, you could be red, green, blue, purple, whatever; you need to understand that Ebola (the Obama of Osama, but don’t quote me) is literally the “Some of my best friends are black” of #NotAllMen. But the burning question no one has raised yet is whether Ebola is the Newsweek of halitosis. We’ll go to the phones in a moment and get your take on this. But first let me open the discussion up to our panel and ask whether Ebola is merely the Fox News of explosive incontinence, or whether the situation is much worse than that and Ebola is, in fact, the CNN of CNN.
[gallery] thingsmagazine:
One of our favourite endpapers: The Wind in the Willows, illustration by E.H.Shepard
Why do the doomsayers exist? For one, it is common for each generation to think it is alive at the single most pivotal time in history. Surely we sit at a precipice, with the fate of everything, including higher education, in our hands in a way unknown to previous generations. Right? Doubtful, history suggests. A healthy skepticism about a world always on the verge of major change might be a useful antidote against panic.Second, it turns out to be really difficult to predict the future. Most previous higher-education doomsayers were well intentioned and thoughtful, but that didn’t help them get it right. The world is complex, and those who merely extrapolate current trends into the future will get them largely wrong.
Finally, as we noted, many “objective” observers are anything but. Often they have a vested interest in getting us to worry. And it works. We read their articles and books, support them in elections, buy their consulting services, or donate to their causes.
Beware Higher-Ed Doomsayers - The Chronicle Review - The Chronicle of Higher Education. Fortunately, the people who wrote this article have no such vested interests, but rather are completely objective observers whose cheerleading for higher education we can take as Gospel truth.
Wait … they’re both college presidents? Never mind.
When you are very young, you think old people must feel inside as old as they appear on the outside. But as you move towards agedness yourself, you realise that this is entirely wrong. People remain young on the inside, no matter how old they appear. The idea of ‘old’ people is therefore a misapprehension of our culture, which sees the split instant of a human lifetime as something elongated, divided into decades and years, persistently defined by a number. But there are no 'old people’. Everyone is young. The only clue you have about this is your own journey as a subjective intelligence looking out. You wait for a change to descend, some radical shift of thinking which will fit with your balding head or wrinkling face. But it doesn’t come: you get giddier and more childish. I had this insight very strongly at Mount Melleray, when I realised that all these men, like myself, were teenagers, or maybe children, in their heads.