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The Foundation for Individual Rights and Expression:
Those students who are the furthest to the left have been the most accepting of violence for as long as we’ve asked the question. That includes very liberal and democratic socialist students. But a rising tide of acceptance of violence has raised all boats. Now, regardless of party or ideology, students across the board are more open to violence as a way to shut down a speaker. What was once an extreme and fringe opinion has become normalized.
That’s what the best science fiction does: It makes us question the social arrangements of our technology, and inspires us to demand better ones.
This idea – that who a technology acts for (and upon) is more important than the technology’s operating characteristics – has a lot of explanatory power.
[Randall Balmer] lauds evangelical involvement in nineteenth-century reform movements (particularly abolition, temperance, and women’s education) as exemplars of Christian public witness. These efforts, in his view, demonstrated faith speaking truth to power and working for the common good. Balmer also praises historical figures like William Jennings Bryan for his economic populism and Martin Luther King Jr. for his prophetic civil rights leadership, holding up such examples of progressive, justice-oriented engagement as faithful expressions of Christianity in the public square. More broadly, he voices admiration for faith-based activism that advances values like social justice, equality, and inclusion.
Conversely, Balmer is consistently critical of recent evangelical political engagement, especially when it aligns with the Republican Party or centers on issues such as abortion, gay rights, or religious symbolism in public life. He often portrays such activism not as prophetic witness but as a bid to reclaim lost cultural privilege or enforce sectarian morality through legislation. One is left to wonder why Christian moral witness is celebrated in one era but viewed as suspect in another. Of course, Balmer is entitled to his political and theological commitments, but the criteria by which he distinguishes faithful from inappropriate activism often seem ad hoc and selectively applied. The result is a framework in which Christian political engagement is endorsed when it advances progressive goals but dismissed when it reflects more traditional convictions.
Isn’t that how it always goes, on the left and the right alike? When Christian activists agree with me, I praise them for being “prophetic”; when they disagree with me, I wonder why they insist on bringing politics into worship.
The data on the Reverse Flynn Effect includes several pieces of evidence that support Marriott’s claims. The IQ reversal, for example, seems to begin right around 2010—the point at which smartphones began their rapid ascent to ubiquity. In addition, according to the Northwestern study, the demographic suffering the steepest declines is 18 to 22-year-olds, who also happen to be the heaviest users of smartphones.
A fascinating video on the history of typewriters for the Chinese language — and some learned commentary on it by Victor Mair.
This has got to mean at least a few hundred K for me, yes? Party time!
More seriously, I don’t know what it means. $3000 per book or work — does that suggest that an essay or article or blog post, each of which is a “work,” is worth as much as a book? Searching here suggests that (with repetitions removed) I might have 20 items to be compensated for the use of. But I could have 200. Who knows? And who knows when matters will be decided?
On the larger and long-term issues surrounding this settlement, Dan Cohen is predictably terrific.
Two new arrivals I’m eager to read. That cover on Tim’s book!
Not all great guitarists have big hands — think of Prince, for instance — but most of them do. Yet the big-handers always insist that the rest of us can play what they play. This is an exceptionally annoying thing to hear. So I appreciate that Paul Davids, in this video on a beautiful John Mayer song, acknowledges (as does Mayer himself) that some people simply will not be able to play the song the way Mayer plays it.
Just look at that hipster. (Charlie Chaplin, 1916)
TLS: “Walt Disney’s background artist, Eyvind Earle, drew on Les Très Riches Heures for the colour palette of Sleeping Beauty.” Very obvious once it’s pointed out!
When Penguin paperbacks were a new innovation, you could buy them from a vending machine called the Penguincubator.
Foggy-headed from Covid I posted this one several days too early, but I’m just leaving it up because it matters to me. I’ll probably be quiet for a few days now.
‘Wystan Auden’ by James Schuyler | Poem of the Week | The TLS: Paywalled, alas. My favorite bit of the poem: When Schuyler was having an operation, Auden “sent quite a large / check” to cover his expenses, but Schuyler returned it and asked for cash instead. He seems to think it a perfectly normal thing to do.
On April 2, 1951, Kerouac sat down in his then-wife Joan Haverty’s apartment in Manhattan and began banging out his first draft. He had on hand several rolls of drafting paper of just the right size for his Remington manual. He’d made the discovery, he told her, that they would “save me the trouble of putting in new paper, and it just about guarantees spontaneity.” For 20 days straight, Kerouac typed so furiously that his T-shirts became soaked with sweat. By April 22, he had completed a 125,000-word draft typed in an eye-straining, comma-starved, single-spaced format, with no paragraphs or page breaks. The resulting scroll was 120 feet long. As an object to be read, it was utterly impractical, but Kerouac had unintentionally replicated the format of the books of antiquity before the invention of the codex. In transcribing his peripatetic cross-country adventures, Kerouac brilliantly married the method to the matter: he wrote fast because, as he put it in one of his notebooks, the “road is fast.” Movement and speed were of the essence. On the Road reads like a pilgrimage without a shrine at the end, an Odyssey without an Ithaca. All the subsequent talk, though, about “spontaneous bop prosody” obscures the fact that the book took years to write and then underwent an even longer process of revision.
The personhood trap: How AI fakes human personality: — something we’re suckers for because of what the philosopher Donald Davidson once called the “principle of charity,” that is, the assumption that our interlocutors are making sense. I wrote an essay a while back on how the principle of charity governs our responses to chatbots.
The AI business model: suicidal ideation as a revenue stream.